![]() The disk showed how music was layered and gave Flume a new perspective that jump-started his music production. He began composing music at the age of 11, with a basic DJ and mixing program CD for windows that was packaged in a box of Kelloggs' Nutrigrain. He grew up on the Northern Beaches of Sydney with a younger sister and brother, and attended Seaforth Public School for primary school and St Augustine's College, Brookvale and Mosman High School for secondary school. His father, Glen Streten, is a filmmaker and record producer, and his mother, Lyndall, is a horticulturist and former teacher. Harley Edward Streten was born on 5 November 1991 in Sydney. His third mixtape, titled Arrived Anxious, Left Bored was released in May 2023. In February 2023, he released his second mixtape, Things Don’t Always Go the Way You Plan. His third studio album, Palaces, was released in May 2022. ![]() In 2019, he released a mixtape, Hi This Is Flume, to positive reviews. After the release of Skin, Flume released Skin Companion EP 1 in November 2016 and Skin Companion EP 2 in February 2017 as the album's B-side EPs. The album gained international recognition for its lead single, " Never Be Like You", which was nominated for Best Dance Recording. The album won the Best Dance/Electronic Album at the 2017 Grammy Awards. His second studio album, Skin, was released in 2016, again topping the ARIA Albums Chart. His self-titled debut studio album, Flume, was released in 2012 to positive reviews, topping the ARIA Albums Chart and reaching double-platinum accreditation in Australia.įlume has remixed songs from such artists as Lorde, Sam Smith, Arcade Fire, Hermitude and Disclosure. He is regarded as a pioneer of future bass who helped popularise the genre. With that kind of control over his songs and performers, Flume could easily evolve into a sought-after producer.Harley Edward Streten (born 5 November 1991), known professionally as Flume, is an Australian musician, DJ, and music producer. I've got what you need"- shiver so that it sounds like she's slowly dissolving into tears. On "What You Need", Streten makes a claim- "Been waiting to love you/. Sinuous opener "Sintra" chops up vocals like James Blake's "CMYK", a foil for the calming, sweet "Star Eyes", which closes the album with a dream sequence made up of screwed bits of speech. Preceding track "Holdin' On" juxtaposes an old-soul male vocal sample and gospel echoes ("Mama, I love you!" "Yes I do!") with muffled keyboard stabs and serious swing for an effect that recalls Jamie xx's Gil Scott-Heron remixes. Now and then, Streten strikes an unusually potent streak: On "Left Alone", a chorus persists throughout as if dogging guest Chet Faker's slurred pleas for solitude. Sometimes, neither the vocals nor backing can save the show: "On Top" features uninspired rapping from New York MC T.Shirt ("The night's forever young/ It's us that gets old") that falls flat over offbeat thuds and simulated siren wails. On "Insane", Streten distorts Australian singer Moon Holiday's lovely but affectless voice into a melodic foil to his throbbing builds and drops. Her featherlight refrain "Hush now, you're standing on a landmine" is the centerpiece around which snares skitter and arpeggios twinkle, her voice soaring as Streten drops a judicious beat into the bridge. On "Sleepless", singer/model Jezzabell Doran is Streten's Jessie Ware, though he gives George Maple more of the spotlight on "Bring You Down". Those features mask the fact that most of his songs are structured around samey, distracting background swoops that introduce climactic moments. It's a little long on instrumental filler ("Space Cadet", "Warm Thoughts", "Ezra"), highlighting the fact that at this point in his career, samples and singers are Streten's most effective asset. Streten explores his sonic palette with varying degrees of success on Flume. While his approach to warped sound owes much to Dilla, Flume's aesthetic can be compared to SBTRKT's integration of R&B's bedside intimacy with distant beats and silky voiced female singers. ![]() He listens to J Dilla and Flying Lotus, started tinkering with production when he was barely a teenager, and still makes music in his parents' basement. He doesn't come off as a firestarter, though, or even all that different from other young electronic producers.
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